litbaza книги онлайнРазная литератураПросвещать и карать. Функции цензуры в Российской империи середины XIX века - Кирилл Юрьевич Зубков

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наук. СПб., 2010.

Access Denied: The Practice and Policy of Global Internet Filtering / Eds. R. Deibert, J. Palfrey, R. Rohozinski, J. Zittrain. Cambridge, Mass.: MIT Press, 2008.

Bachleitner N. Austria // The Frightful Stage: Political Censorship of the Theater in Nineteenth-Century Europe / Ed. R. J. Goldstein. New York; Oxford: Bergahn Books, 2009. P. 228–264.

Balmuth D. Censorship in Russia. 1865–1905. Washington, D. C.: UP of America, 1979.

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Butler J. Ruled Out: Vocabularies of the Censor // Censorship and Silencing. Practices of Cultural Regulation / Ed. R. C. Post. Los Angeles: The Getty Research Institute, 1998. P. 247–259.

Censorship and Libel: The Chilling Effect / Ed. T. McCormach. Greenwich, Conn.: London: JAI Press Inc., 1990.

Censorship, Media and Literary Culture in Japan: From Edo to Postwar / Eds. T. Suzuki, H. Toeda, H. Hori, K. Munakata. Tōkyō: Shin’yōsha, 2012.

Clare J. Art Made Tongue Tied by Authority: Elizabethan and Jacobean Dramatic Censorship. Manchester; New York: Manchester UP, 1990.

Connoly L. W. The Censorship of English Drama. 1737–1824. San Marino: The Huntington Library, 1976.

Demac D. A. Liberty Denied: The Current Rise of Censorship in America / Preface by Arthur Miller, Intr. Dy Larry McMurtry. New Brunswick; London: Rutgers UP, 1990.

Duflo C. Diderot and the Publicizing of Censorship // The Use of Censorship in the Enlightenment. Leiden: Brill, 2009. P. 119–135.

Fish S. There’s No Such Thing as Free Speech and it’s a Good Thing, Too. New York; Oxford: Oxford UP, 1994.

The Frightful Stage: Political Censorship of the Theater in Nineteenth-Century Europe / Ed. R. J. Goldstein. New York; Oxford: Bergahn Books, 2009.

Garry P. An American Paradox: Censorship in a Nation of Free Speech. Westport, Conn.; London: Praeger Publishers, 1993.

Gies David T. Spain // The Frightful Stage: Political Censorship of the Theater in Nineteenth-Century Europe / Ed. R. J. Goldstein. New York; Oxford: Bergahn Books, 2009. P. 162–189.

Goldstein R. J. Introduction // The Frightful Stage: Political Censorship of the Theater in Nineteenth-Century Europe / Ed. by R. J. Goldstein. Brooklyn, New York: Berghan Books, 2011. P. 1–21.

Goldstein R. J. France // The Frightful Stage: Political Censorship of the Theater in Nineteenth-Century Europe / Ed. R. J. Goldstein. New York; Oxford: Bergahn Books, 2009. P. 70–129.

Harrison N. Circles of Censorship: Censorship and its Metaphors in French History, Literature, and Theory. Oxford UP, 1996.

Höbelt L. The Austrian Empire // The War for the Public Mind: Political Censorship in Nineteenth-Century Europe / Ed. R. J. Goldstein. Westport, Connecticut; London: Praeger, 2000. P. 211–238.

Holquist M. Introduction: Corrupt Originals: The Paradox of Censorship // PMLA. 1994. Vol. 109. № 1. P. 14–25.

Holtz B. Eine mit «Intelligenz ausgerüstete lebendig wirksame Behörde». Preußens zentrale Zensurbehörden im Vormärz // Zensur im 19. Jahrhundert: Das literarische Leben aus Sicht seiner Überwacher. Bielefeld: Aesthesis Verlag, 2012. S. 162–168.

Jansen S. C. Censorship. The Knot That Binds Power and Knowledge. New York; Oxford: Oxford UP, 1988.

Krakovitch O. La Censure théâtrale (1835–1849). Édition des procès-verbaux. Paris: Classiques Garnier, 2016.

Lenman R. Germany // The War for the Public Mind: Political Censorship in Nineteenth-Century Europe / Ed. R. J. Goldstein. Westport, Connecticut; London: Praeger, 2000. P. 35–80.

Le Rider J. La Censure à l’œuvre. Freud, Kraus, Schnitzler, Paris: Hermann, 2015.

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Numanake A. W., Beasley M. H. Women, the First Amendment, and Pornography: An Historical Perspective // Censorship and Libel: The Chilling Effect / Ed. T. McCormach. Greenwich, Conn.: London: JAI Press Inc., 1990. P. 119–142.

Olmsted W. The Censorship Effect. Baudelaire, Flaubert and the Formation of French Modernism. New York: Oxford UP, 2016.

Patterns of Censorship Around The World / Ed. I. Peleg. Boulder, CO; San Francisco; Oxford: Westview Press, 1993.

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Работы по истории литературы

Алексеев А. Д. Летопись жизни и творчества И. А. Гончарова. М.; Л.: Изд-во АН СССР, 1960.

Андреев М. Л. Метасюжет в театре Островского. М.: РГГУ, 1996.

Багаутдинова Г. Г. Миф о Пигмалионе в романе И. А. Гончарова «Обрыв» // Вестник СПбГУ. Серия 2. История, языкознание, литературоведение. 1998. Вып. 2 (№ 9). С. 81–85.

Багаутдинова Г. Г. Роман И. А. Гончарова «Обрыв»: Борис Райский — художник: Монография. Йошкар-Ола: Марийский государственный университет, 2001.

Балакин А. Ю. «Литературный» водевиль 1830–1840‐х годов: водевиль как средство журнальной и литературной полемики // Лесная школа: Труды VI Междунар. летней школы на Карельском перешейке по русской литературе. Поселок Поляны (Уусикирко) Ленинградской обл., 2010. С. 55–71.

Балакин А. Ю. Гончаров — учитель царских детей // Балакин А. Ю. Разыскания в области биографии и творчества И. А. Гончарова. Изд. 2-е, пересмотр.

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