Bacon in your Blood: A Memoir. London, 2015. P. 74–75.

100

Richardson J. Bacon Agonistes // New York Review of Books. 17 December 2009.

101

Ibid.

102

Цит. по: Peppiatt M. Francis Bacon in your Blood. P. 74.

103

Цит. по: Peppiatt M. Francis Bacon in the 1950s. P. 64.

104

Ibid.

105

Ibid.

106

Цит. по: Peppiatt M. Francis Bacon: Anatomy of an Enigma. London, 1996. P. 193.

107

Luke M. David Tennant and the Gargoyle Years. London, 1991. P. 183.

108

Smee S., Bernard В., Dawson D. Freud at Work. P. 16.

109

Wishart M. High Diver. London, 1977. P. 36.

110

Freud L. Some thoughts on painting / Encounter. 3–1 (July 1954). P. 23–24.

111

Ibid. P. 26.

112

Gayford M. The Duke, the photographer, his wife, and the male stripper // Modern Painters. 6–3 (Autumn 1993). P. 24.

113

Цит. по: Russell J. Introduction // Lucian Freud / Exhibition Catalogue. London, Arts Council, 1974. P. 13.

114

Gowing L. Lucian Freud. P. 56.

115

Цит. по: Russell J. Introduction // Lucian Freud / Exhibition Catalogue. London, Arts Council, 1974. P. 27.

116

См.: Berthoud R. Graham Sutherland: A Biography. London, 1982. P. 183–200.

117

Ibid. P. 189.

118

Цит. по: Farson D. Sacred Monsters. London, 1988. P. 182. Из этого свидетельства следует, что дело было в 1960-х годах.

119

См.: Smee S., Bernard В., Dawson D. Freud at Work. P. 22–23.

120

Цит. по: Feaver W. Lucian Freud / Exhibition Catalogue. London, Tate Gallery, 2002. P. 27.

121

Ibid. P. 28.

122

Воспоминания художника об этом см.: Smee S., Bernard В., Dawson D. Freud at Work. P. 22–23.

123

Lessore H. A Partial Testament: Essays on Some Moderns in the Great Tradition. London, 1986. P. 55.

124

Higgins C. Leon Kossoff's love affair with London. Guardian. 27 April 2013.

125

Bowen E. The Demon Lover and Other Stories. London, 1945. P. 173.

126

Цит. по: Hughes R. Frank Auerbach. London, 1990. P. 133.

127

Ibid. P. 29.

128

Цит. по: McKennaK. Painting's quiet man: Leon Kossoff.

129

Ibid.

130

См.: Moorhouse P. Leon Kossoff / Exhibition Catalogue. London, Tate Gallery, 1996. P. 10.

131

Цит. по: Wilcox T. (ed.). The Pursuit of the Real: British Figurative Painting from Sickert to Bacon / Exhibition Catalogue. Manchester City Art Gallery, 1990. P. 33.

132

См.: Kendall R. Drawn to Painting: Leon Kossoff's Drawings and Paintings After Nicholas Poussin. London, 2000. P. 12.

133

Цит. по: www.benuricollection.org.uk/search_result.php?item_id=98

134

Ibid.

135

Ibid.

136

Ibid.

137

См.: Hyman J. The Battle for Realism: Figurative Art in Britain during the Cold War. 1945–1960. New Haven & London, 2001. P. 142–145.

138

Seedo N. M. In the Beginning was Fear. London, 1964. P. 336.

139

Ibid.

140

Неведомый шедевр (франц.). – Примечание переводчика.

141

Цит. по: Hughes R. Frank Auerbach. P. 33.

142

См.: Lampert C. Frank Auerbach: Speaking and Painting. London, 2015. P. 38.

143

Цит. по: Ibid.

144

Ibid.

145

Ibid.

146

См.: Lampert C. Frank Auerbach: Speaking and Painting. London, 2015. P. 50.

147

Цит. по: Hughes R. Frank Auerbach. P. 134.

148

Craig-Martin M. Richard Hamilton in Conversation with Michael Craig-Martin // Richard Hamilton / H. Foster, A. Bacon, eds. Cambridge, Mass., 2010. P. 3.

149

Hennessy P. Having it So Good: Britain in the Fifties. London, 2006. P. 106.

150

Jarman D. The Last of England / David L. Hirst, ed.. London, 1987. P. 46.

151

Цит. по: Hennessy P. Having it So Good. P. 19.

152

Craig-Martin M. Richard Hamilton in Conversation with Michael Craig-Martin. P. 7.

153

См.: Massey A. The Independent Group. P. 33–53.

154

Цит. по: Massey A. The Independent Group. P. 49.

155

Ibid. P. 50.

156

См.: Ibid. P. 19–31.

157

Ibid. P. 73.

158

Greenberg C. Art and Culture: Critical Essays. Boston, 1961. P. 3–21. Рус. пер.: Гринберг К. Авангард и китч [1939] / пер. А. Калинина // Художественный журнал. 2005. № 60. С. 49–58.

159

Greenberg С. Art and Culture. P. 9 (пер. О. Гавриковой).

160

Alloway L. The Arts and the Mass Media // Architectural Design. February 1958.

161

См. интервью с сыном Макхейла: www.warholstars.org/articles/johnmchale/johnmchale.html

162