Gilbertson 2002 – Gilbertson L. The Vanni Altarpiece and the Relic Cult of Saint Margaret: Considering a Female Audience // Lamia S., Valdez del Alamo E. (eds.). Decorations for the Holy Dead: Visual Embellishments on Tombs and Shrines of Saints. Turnhout: Brepols Publishers, 2002. P. 179–190.

Gilman 1987 – Gilman S. L. AIDS and Syphilis: The Iconography of Disease // October, Vol. 43, AIDS: Cultural Analysis / Cultural Activism (Winter, 1987), P. 87–107.

Ginzburg 1966 – Ginzburg C. I benandanti. Ricerche sulla stregoneria e sui culti agrari tra Cinquecento e Seicento. Torino: Einaudi, 1966.

Ginzburg 1989 – Ginzburg С. Storia notturna. Una decifrazione del sabba. Torino: Einaudi, 1989.

Girbea 2008 – Girbea C. Flatteries héraldiques, propagande politique et armoiries symboliques dans quelques romans arthuriens (XIIe – XIIIe siècle) // Turrel D. et al. (dir.). Signes et couleurs des identités politiques: du Moyen Âge à nos jours. Rennes: Presses Universitaires de Rennes, 2008. P. 365–380.

Gitlitz 1996 – Gitlitz D. M. Secrecy and Deceit: The Religion of the Crypto-Jews. Philadelphia: Jewish Publication Society, 1996.

Given 1997 – Given J. B. Inquisition and Medieval Society: Power, Discipline, and Resistance in Languedoc. Ithaca; London: Cornell University Press, 1997.

Glennon 2000 – Glennon M. Medusa in Ancient Greek Art // Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000 (URL: http://www.metmuseum.org/toah/hd/medu/hd_medu.htm)

Gonthier 1998 – Gonthier N. Le châtiment du crime au Moyen Âge (XIIe – XVIe siècles). Rennes: Presses Universitaires de Rennes, 1998.

Goodich 1998 – Goodich (ed.). Other Middle Ages: Witnesses at the Margins of Medieval Society. Philadelphia: University of Pennsylvania Press, 1998.

Gow 1995a – Gow A. C. The Red Jews: Antisemitism in the Apocalyptic Age, 1200–1600. Leiden; New York; Köln: Brill, 1995.

Gow 1995b – Gow A. The Jewish Antichrist in Medieval and Early Modern Germany // Medieval Encounters. Jewish, Christian and Muslim Culture in Confluence and Dialogue, 1995, Vol. 2, № 3. P. 249–285.

Grayzel 1933 – Grayzel S. The Church and the Jews in the XIIIth century: A Study of Their Relations during the Years 1198–1254. Philadelphia: The Dropsie College, 1933.

Gregg 1997 – Gregg J. Y. Devils, Women, and Jews: Reflections of the Other in Medieval Sermon Stories. Albany: State University of New York Press, 1997.

Groebner 2004 – Groebner V. Defaced. The Visual Culture of Violence in the Late Middle Ages. New York: Zone Books, 2004.

Grove Encyclopedia 2012 – The Grove Encyclopedia of Medieval Art and Architecture. Vol. 1: Aachen – Cecco di Pietro. Oxford; New York: Oxford University Press, 2012.

Guerreau, Guy 1988 – Guerreau A., Guy Y. Les Cagots du Béarn. Recherches sur le développement inégal au sein du système féodal européen. Paris: Édition Minerve, 1988.

Guest 2017 – Guest G. B. The Beautiful Lucifer as an Object of Aesthetic Contemplation in the Central Middle Ages // Studies in iconography, 2017, № 38. P. 107–141.

Haberkern 2016 – Haberkern Ph. N. Patron Saint and Prophet: Jan Hus in the Bohemian and German Reformations. New York: Oxford University Press, 2016.

Hablot 2009 – Hablot L. Sens dessubz dessous: Le blason de la trahison au Moyen Âge // Billoré M., Soria M. (eds.). La trahison au Moyen Âge: De la monstruosité au crime politique (Ve–XVe siècle). Rennes: Presses Universitaires de Rennes, 2009. Pp. 331–347.

Hablot 2011a – Hablot L. Modes et pratiques héraldiques dans le sillage de la légende arthurienne // Revue 303, 2011, № 114 / 10. P. 132–141.

Hablot 2011b – Hablot L. L'héraldisation du sacré aux XIIe – XIIIe siècles. Une mise en scène de la religions chevaleresque? // Aurell M., Girbea C. (dir.). Chevalerie & christianisme aux XIIe et XIIIe siècles. Rennes: Presses universitaires de Rennes, 2011. P. 211–233.

Hablot 2015 – Hablot L. Présences emblématiques dans la tapisserie de l'Apocalypse // Cailleteau J., Muel F. (éds.). Apocalypse. La tenture de Louis d'Anjou. Paris: Éditions du patrimoine, Centre des monuments nationaux, 2015. P. 27–41.

Hablot 2016 – Hablot L. Le bris des armes: l'iconoclasme héraldique dans la société médiévale // Gil M., Charron P., Vilain A. (dir.). La pensée du regard. Etudes d'histoire de l'art du Moyen Âge offertes à Christian Heck. Turnhout: Brepols, 2016. P. 181–191.

Hablot 2017 – Hablot L. «Ubi armae ibi princeps»: Medieval Emblematics as the Real Presence of the Prince // Lachaud F., Penman M. (eds.). Absentee Authority across Medieval Europe. Woodbridge: The Boydell Press, 2017. P. 37–55.

Hall 1809 – Hall's Chronicle, Containing the History of England during the Reign of Henry the Fourth, and the Succeeding Monarchs. London, 1809.

Hamburger 1984 – Hamburger J. F. Bosch's Conjuror: An Attack on Magic and Sacramental Heresy // Simiolus: Netherlands Quarterly for the History of Art, 1984, Vol. 14, № 1. P. 4–23.

Harman 2019 – Harman D. Striped Jews: The Offering of the Jews in the Boijmans Van Beuningen Museum // Ars Judaica. The Bar Ilan Journal of Jewish Art, 2019, Vol. 15. P. 29–46.

Harran 2013 – Harran D. The Jewish Nose in Early Modern Art and Music // Renaissance Studies, 2013, Vol. 28, № 1. P. 50–70.

Hartau 2005 – Hartau J. Bosch and the Jews // Anales del Instituto de investigaciones estéticas, 2005, № 86. P. 29–53.

Heesch 2019 – Heesch D., van. Paulus de Kempenar and the Political Exploitation of Hieronymus Bosch in the Dutch Revolt // Simiolus. Netherlands Quarterly for the History of Art, 2019, Vol. 41, № 1–2. P. 5–38.

Hell or Paradise 2013 – Hell or Paradise. The Origins of Caricature, 16th – 18th Centuries. Genève: Musée international de la Réforme, 2013.

Heng 2003 – Heng G. Empire of Magic: Medieval Romance and the Politics of Cultural Fantasy. New York: Columbia University Press, 2003.

Heng 2014 – Heng G. An African Saint in Medieval Europe. The Black Saint Maurice and the Enigma of Racial Sanctity // Bassett M. H., Lloyd V. W. (eds.). Sainthood and Race. Marked Flesh, Holy Flesh. New York: Routledge, 2014. P. 18–44.

Heng 2018 – Heng G. The Invention of Race in the European Middle Ages. Cambridge; New York: Cambridge University Press, 2018.