litbaza книги онлайнИсторическая прозаВоображаемый враг: Иноверцы в средневековой иконографии - Михаил Майзульс

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Planer 1988 – Planer J. H. Damned Music: The Symbolism of the Bagpipes in the Art of Hieronymus Bosch and His Followers // Comberiati C. P., Steel M. C. (eds.). Music from the Middle Ages Through the Twentieth Century: Essays in Honor of Gwynn S. McPeek. New York; London: Gordon and Breach Science Publishers, 1988. P. 335–353.

Pleij 2004 – Pleij H. Colors Demonic and Divine. Shades of Meaning in the Middle Ages. New York: Columbia University Press, 2004.

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Plesch 2002 – Plesch V. Not Only Against Jews: Anti-Semitic Iconography and Its Functions at La Brigue // Studies in Iconography, 2002, Vol. 23. P. 137–181.

Plesch 2017 – Plesch V. On Appropriations // Interfaces, 2017, Vol. 38 (URL: http://preo.u-bourgogne.fr/interfaces/index.php?id=105025).

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Portmann 2019 – Portmann M. Jewish Writings and Holy Scripture in Christian Paintings in Spain during the Late Medieval Period // Ganz D., Schellewald B. (eds.). Clothing Sacred Scriptures: Book Art and Book Religion in Christian, Islamic, and Jewish Cultures. Berlinm Boston: De Gruyter, 2019. P. 159–170.

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Quaglioni, Esposito 2008 – Quaglioni D., Esposito A. (eds.). Processi contro gli ebrei di Trento (1475–1478). Vol. 2: I processi alle donne. Padua: Cedam, 2008.

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Revel-Neher 1992 – Revel-Neher E. The Image of the Jew in Byzantine Art. Oxford; New York: Pergamon Press, 1992.

Rivers 2010 – Rivers K. Writing the Memory of the Virtues and Vices in Johannes Sintram's (d. 1450) Preaching Aids // Doležalová L. (ed.). The Making of Memory in the Middle Ages. Leiden; Boston: Brill, 2010. P. 31–48.

Robbins 2000 – Robbins M. E. The Truculent Toad in the Middle Ages // Flores N. C. (ed.). Animals in the Middle Ages: A Book of Essays. New York; London: Routledge, 2000. P. 25–47.

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Robson 2004 – Robson J. Judas and the Franciscans: Perfidy Pictured in Lorenzetti's Passion Cycle at Assisi // The Art Bulletin, 2004, Vol. 86, № 1. P. 31–57.

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