litbaza книги онлайнИсторическая прозаГрандиозная история музыки XX века - Артем Рондарев

Шрифт:

-
+

Интервал:

-
+

Закладка:

Сделать
1 ... 197 198 199 200 201 202 203 204 205 ... 207
Перейти на страницу:

– Ind P. Jazz Visions: Lennie Tristano and His Legacy. L.; Oakville: Equinox, 2005.

– Isacoff S. A Natural History of the Piano: The Instrument, the Music, the Musicians – from Mozart to Modern Jazz, and Everything in Between. N. Y.: Alfred A. Knopf, 2011.

– Isacoff S. Thelonious Monk. N.Y.; L.; Sydney; Cologne: Amsco Publications, 1978.

– Issitt M. L. Hippies: A Guide to an American Subculture. Santa Barbara: Greenwood Press, 2009.

– Jacobs T. Review of The Velvet Underground and Nico // All Yesterdays’ Parties. The Velvet Underground in Print: 19661971 / C. Heylin (ed.). Cambridge: Da Capo Press, 2005.

– Jackson J. A. Big Beat Heat: Alan Freed and the Early Years of Rock & Roll. N.Y.: Schirmer/Macmillan, 1991.

– Jackson J. A. A House on Fire: The Rise and Fall of Philadelphia Soul. Oxford; N. Y.: Oxford University Press, 2004.

– Jaeger P. John Cage and Buddhist Ecopoetics. L.; N. Y.: Bloomsbury, 2013.

– Jarman D. Alban Berg: Wozzeck. Cambridge; N. Y.: Cambridge University Press, 1989.

– Järvinen H. Dancing Genius: The Stardom of Vaslav Nijinsky. Houndmills; N. Y: Palgrave Macmillan, 2014. P – Judd C. C. Renaissance Modal Theory: Theoretical, Compositional, and Editorial Perspectives // The Cambridge History of Western Music Theory / Th. Christensen (ed.). Cambridge: Cambridge University Press, 2002.

– Jaffe A. Jazz Harmony. Tübingen: Advance Music, 1996.

– James B. Kings of Jazz: Bix Beiderbecke. N. Y.: A. S. Barnes and Company, Inc., 1961.

– Jarman-Ivens F. Notes on Musical Camp // The Ashgate Research Companion to Popular Musicology / D. B. Scott (ed.). Farnham: Ashgate, 2009.

– Jasen D. A., Jones G. Black Bottom Stomp: Eight Masters of Ragtime and Early Jazz. N. Y.; Abingdon: Routlege, 2002.

– Jefferson T. Cultural Responses of the Teds // Resistance Through Rituals: Youth Subcultures in Post- war Britain / S. Hall, T. Jefferson (eds.). L.; N. Y.: Routledge, 1991.

– Jeffries M. P. Thug Life: Race, Gender, and the Meaning of HipHop. Chicago; L.: The University of Chicago Press, 2011.

– Jenkins T. S. I Know What I Know: The Music of Charles Mingus. Westport; L.: Praeger, 2016. – The Jim Crow Encyclopedia / N. L. M. Brown, B. M. Stentiford (eds.). Westport; L.: Greenwood Press, 2008.

– Johnson J. Schoenberg, modernism, and metaphysics // The Cambridge Companion to Schoenberg / J. Shaw, J. Auner (eds.). Cambridge; N. Y.: Cambridge University Press, 2010.

– Jones L. (Amiri Baraka). Blues People: Negro Music in White America. N. Y.: Perennial, 2002.

– Jones R., Bego M. Macho Man: The Disco Era and Gay America’s ‘‘Coming Out’’. Westport: Praeger, 2009.

– Jones S. Black Culture, White Youth: The Reggae Tradition from JA to UK. Houndmills; L.: Macmillan Education, 1988.

– Jordan W. Galileo and the Demise of Pythagoreanism // Music and Science in the Age of Galileo / V. Coelho (ed.). Dordrecht: Kluwer Academic, 1992.

– Kaler M. How the Grateful Dead Learned to Jam // Reading the Grateful Dead: A Critical Survey / N. G. Meriwether (ed.). Lanham: Scarecrow Press, 2012.

– Kajikawa L. Sounding Race in Rap Songs. Oakland: University of California Press, 2015.

– Kallis V. Principles of Pitch Organization in Scriabin’s Early Post- tonal Period: The Piano Miniatures // MTO. V. 14. N. 3. September 2008.

– Kandinsky W. The Paintings // Schoenberg and His World / W. Frisch (ed.). Princeton: Princeton University Press, 1999.

– Kart L. Jazz in Search of Itself. New Haven; London.: Yale University Press, 2004.

– Kato M. T. From Kung Fu to Hip Hop: Globalization, Revolution, and Popular Culture. Albany: State University of New York Press, 2007.

– Katz J. D. John Cage’s Queer Silence; or, How to Avoid Making Matters Worse // Writings through John Cage’s Music, Poetry, and Art / D. W. Bernstein, C. Hatch (eds.). Chicago; L.: The University of Chicago Press, 2001.

– Katz M. Groove Music: The Art and Culture of the Hip-Hop DJ. N. Y.; Oxford: Oxford University Press, 2012.

– Katz R. A Language of Its Own: Sense and Meaning in the Making of Western Art Music. Chicago; L.: The University of Chicago Press, 2009.

– Keathley E. L. Interpreting Erwartung: Collaborative Process and Early Reception // The Cambridge Companion to Schoenberg / J. Shaw, J. Auner (eds.). Cambridge; N. Y.: Cambridge University Press, 2010.

– Keithley J. I, Shithead: A Life in Punk. Vancouver: Arsenal Pulp Press, 2003.

– Kernodle T. L. Freedom Is a Constant Struggle: Alice Coltrane and the Redefining of the Jazz Avant- Garde // John Coltrane and Black America’s Quest for Freedom: Spirituality and the Music / L. Brown (ed.). Oxford; N. Y.: Oxford University Press, 2010.

– Kilpatrick B. Accordion Dreams: A Journey into Cajun and Creole Music. Jackson: University Press of Mississippi, 2009.

– King S. A. Reggae, Rastafari, and the Rhetoric of Social Control. Jackson: University Press of Mississippi, 2002.

– Kirby D. Little Richard: The Birth of Rock ‘N’ Roll. N. Y.: Continuum, 2009.

– Kitwana B. Why White Kids Love Hip Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America. N.Y.: Basic Civitas Books, 2010.

– Kotarba J. A. Baby Boomer Rock ’n’ Roll Fans: The Music Never Ends. Lanham: Scarecrow Press, 2013.

– Kotarba J. A., Vannini P. Understanding Society through Popular Music. N.Y.: Routledge, 2009.

– Krims A. Marxist Music Analysis without Adorno: Popular Music and Urban Geography // Analyzing Popular Music / A. F. Moore (ed.). N. Y.: Cambridge University Press, 2003.

– Krims A. Music and Urban Geography. N.Y.; L.: Routledge, 2007.

– Kurth R. Immanence and transcendence in Moses und Aron // The Cambridge Companion to Schoenberg / J. Shaw, J. Auner (eds.). Cambridge; N. Y.: Cambridge University Press, 2010.

– Kurth R. Pierrot lunaire: Persona, Voice, and the Fabric of Allusion // The Cambridge Companion to Schoenberg / J. Shaw, J. Auner (eds.). Cambridge; N. Y.: Cambridge University Press, 2010.

– Laidlaw A. Blackness in the Absence of Blackness: White Appropriations of Rap Music and Hip-Hop Culture in Newcastle upon Tyne – Explaining A Cultural Shift (A Doctoral Thesis). Loughborough: Loughborough University, 2010.

1 ... 197 198 199 200 201 202 203 204 205 ... 207
Перейти на страницу:

Комментарии
Минимальная длина комментария - 20 знаков. Уважайте себя и других!
Комментариев еще нет. Хотите быть первым?