Шрифт:
Интервал:
Закладка:
– Miller T. The Hippies and American Values. Knoxville: The University of Tennessee Press, 2011.
– Miller T. The 60s Communes: Hippies and Beyond. Syracuse: Syracuse University Press, 1999.
– Miller S. Detroit Rock City: The Uncensored History of Rock’ n’ Roll in America’s Loudest City. Boston: Da Capo Press, 2013. – Mindfuckers / D. Felton (ed.). San Francisco: Straight Arrow Books, 1972 – Modular V User Manual. Meylan: Arturia, 2016.
– Moody B. The Jazz Exiles: American Musicians Abroad. Reno: University of Nevada Press, 1993.
– Moody K. From Welfare State to Real Estate: Regime Change in New York City, 1974 to the Present. N.Y.: The New Press, 2007.
– Morrison C. Rock and Roll. N. Y.: Facts On File, 2006.
– Morrison S. Russian Opera and the Symbolist Movement. Berkeley; L. A.: University of California Press, 2002.
– Morton B. Miles Davis. L.: Haus Publishing, 2005.
– Moskowitz D. V. Caribbean Popular Music: An Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall. Westport; L.: Greenwood Press, 2006.
– Mugglestone E. Guido Adler’s ‘The Scope, Method, and Aim of Musicology’ (1885): An English Translation with an Historico-Analytical Commentary / Yearbook for Traditional Music. Vol. 13 (1981).
– Muldoon K. M. The Jim Crow Era. Minneapolis: Abdo Publishing, 2015.
– Murchison G. The American Stravinsky: The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938. Ann Arbor: The University of Michigan Press, 2012.
– Muyumba W. M. The Shadow and the Act: Black Intellectual Practice, Jazz Improvisation, and Philosophical Pragmatism. L.; Chicago: The University of Chicago Press, 2009.
– Myers M. Why Jazz Happened. Berkeley; Los Angeles; L.: University of California Press, 2013.
– Nattiez J.-J. Music and Discourse: Toward a Semiology of Music. Princeton: Princeton University Press, 1990.
– Nelson E. The British Counter- Culture, 1966- 73: A Study of the Underground Press. L.: Macmillan, 1989.
– Nelson M. The Rolling Stones: A Musical Biography. Santa Barbara: Greenwood, 2010.
– Nicholls D. Cage and America // The Cambridge Companion to John Cage / D. Nicholls (ed.). Cambridge, N. Y.: Cambridge University Press, 2002.
– Nicholls D. Towards infinity: Cage in the 1950s and 1960s // The Cambridge Companion to John Cage / D. Nicholls (ed.). Cambridge, N. Y.: Cambridge University Press, 2002.
– Nijinsky R. Nijinsky. N. Y.: Kangaroo/Pocket Books New York, 1977. – The Notebooks of Alexander Skryabin. Oxford; N. Y.: Oxford University Press, 2018.
– Notley M. 1934, Alban Berg, and the Shadow of Politics: Documents of a Troubled Year // Alban Berg and His World / C. Hailey (ed.). Princeton: Princeton University Press, 2010.
– Nyman M. Experimental Music: Cage and Beyond. Cambridge: Cambridge University Press, 1999.
– O’Brien L. The Woman Punk Made Me // Punk Rock: So What? The Cultural Legacy of Punk / R. Sabin (ed.). L., N.Y.: Routledge, 1999.
– Ogasapian J., Orr N. L. Music of the Gilded Age. Westport; L.: Greenwood Press, 2007.
– Old W. C. The Life of Louis Armstrong: King of Jazz. Berkeley Heights: Enslow Publishers, Inc., 1998.
– Oliver M. Igor Stravinsky. L.: Phaidon, 1995.
– Oliver P. Hinduism and the 1960s: The Rise of a Counter- Culture. L., N.Y.: Bloomsbury, 2014.
– Oliver P. “Selling That Stuff”: Advertising Art and Early Blues on 78s // The Hearing Eye: Jazz and Blues Influences in African American Visual Art / G. Lock, D. Murray (eds.). Oxford; N. Y.: Oxford University Press, 2009 – Oram D. An Individual Note: Of Music, Sound and Electronics. L.: Galliard Ltd; N. Y.: Galaxy Music Corporation, 1972.
– Ogren K. J. The Jazz Revolution: Twenties America and the Meaning of Jazz. Oxford; New York; Toronto: Oxford University Press, 1989.
– Osborn B. Everything in its Right Place: Analyzing Radiohead. N. Y.: Oxford University Press, 2017.
– Oser L. The Ethics of Modernism: Moral Ideas in Yeats, Eliot, Joyce, Woolf, and Beckett. Cambridge; N. Y: Cambridge University Press, 2007.
– Owens T. Bebop: The Music and its Players. Oxford; N.Y.: Oxford University Press, 1995.
– Pabon J. Physical Graffiti: The History of Hip-Hop Dance // Total Chaos: The Art and Aesthetics of Hip-Hop / J. Chang (ed.).
– Panish J. The Color of Jazz: Race and Representation in Postwar American Culture. Jackson: University Press of Mississippi, 1997.
– Parsons T. Age and Sex in the Social Structure of the United States // Essays in Sociological Theory. Glencoe: The Free Press, 1954.
– Pate A. In the Heart of the Beat: The Poetry of Rap. Lanham; Toronto; Plymouth: Scarecrow Press, 2010.
– Patterson D. W. Cage and Asia: History and Sources // The Cambridge Companion to John Cage / D. Nicholls (ed.). Cambridge: Cambridge University Press, 2006.
– Pattie D. Rock Music in Performance. Houndmills: Palgrave Macmillan, 2007.
– Pattison R. The Triumph of Vulgarity: Rock Music in the Mirror of Romanticism. N.Y.: Oxford University Press, 1987.
– Patton R. A. Punk Crisis: The Global Punk Rock Revolution. Oxford; N.Y.: Oxford University Press, 2018.
– Paul D. C. Charles Ives in the Mirror: American Histories of an Iconic Composer. Urbana; Chicago; Springfield: University of Illinois Press, 2013.
– Payette J. Schoenberg vive // Pierre Boulez Studies / E. Campbell, P. O’Hagan (eds.). Cambridge: Cambridge University Press 2016.
– Paytress M. Bowie Style. L.: Omnibus, 2010.
– Perle G. The Listening Composer. Berkeley; L. A.: University of California Press, 1990.
– Pegg N. The Complete David Bowie. L.: Reynolds & Heam Ltd., 2004.
– Peretti B. W. Lift Every Voice: The History of African American Music. Plymouth: Rowman & Littlefield Publishers, Inc., 2009.
– Perone J. E. Mods, Rockers, and the Music of the British Invasion. Westport: Praeger, 2009.
– Perone J. E. The Words and Music of David Bowie. L., Westport: Praeger, 2007.
– Pescatello A. M. Charles Seeger: A Life in American Music. Pittsburgh; L.: University of Pittsburgh Press, 1992.
– Peterson R. A. Why 1955? Explaining the Advent of Rock Music // Popular Music: Critical Concepts in Media and Cultural Studies / S. Frith (ed.). In 2 v. L.; N. Y.: Routledge, 2004. V. 2.