Шрифт:
Интервал:
Закладка:
Cox 2002 – Cox C. Gaultier, Jean-Paul // Benbow-Pfalzgraf T. (ed.) Contemporary Fashion. Farmington Hills: St James Press, 2002. P. 261–263.
Craik 1993 – Craik J. The Face of Fashion: Cultural Studies in Fashion. London: Routledge, 1993.
Crom 2006 – Crom N. La Littérature de poulettes // Télérama. 2006. September 30 – October 6. № 2959. P. 26.
Crothers Dilley 2017 – Crothers Dilley W. The Cinema of Wes Anderson: Bringing Nostalgia To Life. New York: Columbia University Press, 2017.
Daney 1986 – Daney S. Ciné Journal 1981–1986. Paris: Cahiers du cinéma, 1986.
Daney 1993 – Daney S. Le Salaire du zappeur. Paris: P.O.L., 1993.
Danto 2009 – Danto A. C. Andy Warhol. New Haven: Yale University Press, 2009.
De Bure 2008 – De Bure G. «Introduction» / Anon, Guy Bourdin. Arles: Actes Sud, 2008. Р. 1–18.
De Gasquet 2016 – De Gasquet P. Olivier Assayas: La Mode en toile de fond // Les Echos. 2016. December 2. www.lesechos.fr/02/12/2016/LesEchosWeekEnd/00056-025-ECWE_olivier-assayas-la-mode-en-toile-de-fond.htm (по состоянию на 13.09.2017).
De Mèredieu 1985 – De Mèredieu F. Le Film publicitaire. Paris: Éditions Henri Veyrier, 1985.
De Perthuis 2012 – De Perthuis K. I Am Style: Tilda Swinton as Emma in Guadagnino’s I Am Love // Film, Fashion and Consumption. 2012. 1 (3). P. 269–288.
Debord 1967 – Debord G. La Société du spectacle. Paris: Gallimard, 1967.
Debord 1995 – Debord G. The Society of The Spectacle / Transl. D. Nicholson-Smith. New York: Zone Books, 1995.
Denby 2013 – Denby D. All That Jazz // The New Yorker. 2013. May 13. www.newyorker.com/magazine/2013/05/13/all-that-jazz-3 (по состоянию на 22.08.2017).
Dienst 1994 – Dienst R. Still Life in Real Time: Theory After Television. Durham, NC: Duke University Press, 1994.
Dior 2007 – Dior C. Dior by Dior: The Autobiography of Christian Dior / Transl. A. Fraser. London: V&A Publications, 2007.
Drake 2007 – Drake A. The Beautiful Fall: Fashion, Genius and Glorious Excess in 1970s Paris. London: Bloomsbury, 2007.
Driscoll 2010 – Driscoll C. Chanel: The Order of Things // Fashion Theory. 2010. 14 (2). P. 135–158.
Du Gay 1997 – Du Gay P. (ed.) Production of Culture/Cultures of Production. London: Sage, 1997.
Duras 1988 – Duras M. Le Bruit et le silence // Anon. YSL et la photographie de mode. Paris: Albin Michel, 1988. P. 10.
Dyer 1978 – Dyer G. Advertising as Communication. London: Routledge, 1978.
Dyer 1990 – Dyer R. Now You See It: Studies on Lesbian and Gay Film. London: Routledge, 1990.
Dyer 2007 – Dyer R. Pastiche. London: Routledge, 2007.
Edwards 2010 – Edwards T. Fashion in Focus: Concepts, Practices and Politics. Abingdon: Routledge, 2010.
Ellestrom 2010 – Ellestrom L. The Modalities of Media: A Model for Understanding Intermedial Relations // Ellestom L. (ed.) Media Borders, Multimodality and Intermediality. Basingstoke: Palgrave, 2010. P. 11–48.
Elsaesser 2013 – Elsaesser T. Digital Cinema: Convergence or Contradiction? // Herzog A., Richardson J., Vernallis C. (eds) The Oxford Handbook of Sound and Image in Digital Media. Oxford: Oxford University Press, 2013. P. 13–44.
Elsaesser 1995 – Elsaesser T. A Retrospect: The Film Director as Auteur – Artist, Brand name or Engineer? 1995. www.thomas-elsaesser.com/images/stories/pdf/elsaesser_the_ author_a_retrospect.pdf. P. 9 (по состоянию на 19.08.2017).
Ember 2016 – Ember S. Ads Evolve Into New Forms as Media Landscape Shifts // The New York Times. 2016. May 8. www.nytimes.com/2016/05/09/business/media/ads-evolve-into-new-forms-as-media-landscape-shifts.html?mcubz=0 (по состоянию на 18.09.2017).
English 2011 – English B. Japanese Fashion Designers. London: Berg, 2011.
Entwistle 2009 – Entwistle J. The Aesthetic Economy of Fashion: Markets and Values in Clothing and Modelling. Oxford: Berg, 2009.
Entwistle & Slater 2012 – Entwistle J., Slater D. Models as Brands: Critical Thinking about Bodies and Images // Entwistle J., Wissinger E. (eds) Fashioning Models: Image, Text and Industry. London: Berg, 2012. P. 15–33.
Entwistle & Wissinger 2012 – Entwistle J., Wissinger E. (eds) Fashioning Models: Image, Text and Industry. London: Berg, 2012.
Evans 2001 – Evans C. The Enchanted Spectacle // Fashion Theory. 2001. 5 (3). P. 271–310.
Evans 2011 – Evans C. The Walkies: Early French Fashion Shows as a Cinema of Attractions // Munich A. (ed.) Fashion in Film. Bloomington: Indiana University Press, 2011. P. 110–132.
Evans 2013 – Evans C. «Foreword» to «Yesterday’s Emblems and Tomorrow’s Commodities»: The Return of the Repressed in Fashion Imagery Today (second printing with new Foreword) // Bruzzi S., Church Gibson P. (eds) Fashion Cultures Revisited. Abingdon: Routledge, 2013. P. 77–102.
Evans 2013 – Evans C. The Mechanical Smile: Modernism and The First Fashion Shows in France and America, 1900–1929. London: Yale University Press, 2013.
Evans & Thornton 1989 – Evans C., Thornton M. Women and Fashion. London: Quartet Books, 1989.
Featherstone 2007 – Featherstone M. Consumer Culture and Postmodernism. London: Sage, 2007.
Fiant 2009 – Fiant A. Le Cinéma de Jia Zhang-Ke: No Future (made) in China. Rennes: Presses Universitaires de Rennes, 2009.
Flood 2012 – Flood K. Dressing Björk: Meet Fashion Designer Iris Van Herpen // The Creators’ Project. 2012. February 9. www.bjork.fr/The-Creator-s-Project-com-9 (по состоянию на 10.08.2017).
Font 2004 – Font L. L’ Allure de Chanel: The Couturiere as Literary Character. Fashion Theory. 2004. 8 (3). P. 301–314.
Forgacs 2000 – Forgacs D. Antonioni: Space, Place, Sexuality // Konstantarakos M. (ed.) Spaces in European Cinema. Bristol: Intellect Press, 2000. P. 101–110.
Foster 1996 – Foster H. Death in America // October. 1996. 75. P. 36–59.
Foucault 1977 – Foucault M. What Is an Author? // Foucault M. Language, Counter-Memory, Practice: Selected Essays and Interviews. D. F. Bouchard (ed.) Ithaca: Cornell University Press, 1977. P. 113–138.
Frahm 2010 – Frahm L. Liquid Cosmos: Movement and Mediality in Music Video // Keazor H., Wübbena T. (eds) Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video. Bielefeld: transcript, 2010. P. 155–178.
Friedman 2017 – Friedman V. Film to Fashion Is About to Get a Whole New Meaning // The New York Times. 2014. June 11. runway.blogs.nytimes.com/2014/06/11/colin-firth-movie-to-have-its-own-clothing-line/?mcubz=0 (по состоянию на 18.09.2017).
Geczy & Karaminas 2016 – Geczy A., Karaminas V. Fashion’s Double: Representations of Fashion in Painting, Photography and Film. London: Bloomsbury, 2016.
Geczy & Karaminas 2017 – Geczy A., Karaminas