Chambers, David, and Brian Pullan (редакторы). Venice, A Documentary History 1450–1630. Toronto: University of Toronto Press, 1992.

Chauvet, Jean-Marie, Eliette Brunel Deschamps and Christian Hillaire.

Chauvet Cave, the Discovery of the World’s Oldest Paintings. London: Thames and Hudson, 1996.

Chenciner, Robert. Madder Red, a history of luxury and trade, plant dyes and pigments in world commerce and art. Richmond: Curzon, 2000.

Ciba Review. Madder & Turkey Red (39), Indigo (85), Black (1,963).

Basle: Society of Chemical Industry, 1937–1970.

Clark, Kenneth. Looking at Pictures. London: John Murray, 1961.

Cole, Уильям. «Purple Fish». In Philosophical Transactions, том 15.

London: Royal Society, стр. I, 278–286.

Corbally Stourton, Patrick. Songlines and Dreamings, Contemporary Australian Aboriginal Painting. London: Lund Humphries, 1996.

Costaras, Nicola. «A study of the materials and techniques of Johannes Vermeer». In Vermeer Studies. Вашингтон: National Gallery of Art, 1998, стр. 145–161.

Cummings, Robert. Art: an eye-opening guide to art and artists. New York: Alfred A. Knopf, 2001.

Dampier, Уильям. Captain Уильям Dampier’s voyages around the world. London: James & John Knapton, 1729.

Darwin, Charles. Charles Darwin» s Beagle Diary. Изд. Richard Darwin and Richard Keynes. Cambridge: Cambridge University Press, 1988.

Delamare, Francois, and Bernard Guineau. Colour, Making and Using Dyes and Pigments. перевод Sophie Hawkes. London: Thames & Hudson, 2000.

Diaz-Mas, Paloma. Sephardim. Chicago: University of Chicago Press, 1992.

Dodd, George. The Textile Manufactures of Great Britain. London: Knight’s Weekly Volumes, 1844.

Donkin, R. A. Spanish Red: an ethnogeographical study of cochineal and the opuntia cactus. Philadelphia: The American Philosophical Society, 1977.

Dorment, Richard, and Margaret Macdonald. James McNeill Whistler. London: Tate Gallery Publications, 1994.

Dorn, Roland. «The Arles Period: Symbolic Means, Decorative Ends». In Van Gogh Face to Face. Detroit: Detroit Institute of Art with Thames and Hudson, 2000, стр. 134–171.

Dossie, R. The Handmaid to the Arts. London, 1758.

Downer, Leslie. Geisha, the secret history of a vanishing world. London: Headline, 2000.

Dreyfuss, Henry. Symbol Sourcebook: An Authoritative Guide to International Graphic Symbols. New York: Henry Dreyfuss, 1972.

Eastlake, Charles. Materials for the History of Oil Painting. London, 1847.

Edmonds, John. The History of Вайда and the Medieval Woad Vat. Little Chalfont: John Edmonds, 1998.

Edmonds, John. The History and Practice of 18th century Dyeing. Little Chalfont: John Edmonds, 1999.

Edmonds, John. The Mystery of Imperial Purple Dye. Little Chalfont: John Edmonds, 2000.

Egerton, Judy, with Martin Wyld and Ashok Roy. Turner, The Fighting Temeraire. London: National Gallery, 1995.

Elkins, James. What Painting Is. London; New York: Routledge, 1999.

Emmison, Frederick George. Elizabethan Life: Home, Work and Land. From Essex wills and sessions and manorial records. Chelmsford: Essex County Council, 1976.

Field, George. Chromatography: or a Treatise on Colours and Pigments and of their Powers in Painting. London: Charles Tilt, 1835.

Finlayson, Iain. Denim, an American Legend. Norwich: Parke Sutton, 1990.

Fitzhugh, Elizabeth West. «Orpiment and Realgar». In Artists’Pigments, том 3, стр. 47–80.

Fitzhugh, Elizabeth West. «Red Lead and Minium». In Artists’Pigments, том 1, стр. 109–140.

Flood, Josephine. Archaeology of the Dreamtime. Sydney: Angus & Robertson, 1983.

Gage, John. Colour and Culture, practice and meaning from antiquity to abstraction. London: Thames & Hudson, 1993.

Gage, John. George Field and His Circle: from Romanticism to the Pre-Raphaelite Brotherhood. Cambridge: Fitzwilliam Museum, 1989.

Garfield, Simon. Mauve: How one man invented a colour that changed the world. London: Faber & Faber, 2000.

Gega, Lama. Principles of Tibetan art: illustrations and explanations of Buddhist iconography and iconometry according to the Karma Gardri School. Darjeeling: Jamyang Singe, 1983.

Gettens, Rutherford, and George L. Stout. Painting Materials: a short encyclopaedia. New York: Dover Publications Inc., 1966.

Gettens, Rutherford, Hermann Kuhn and W. T. Chase. Lead White. In Artists Pigments, том 2, стр. 67–82.

Gettens, Rutherford, Robert Feller and W. T. Chase. «Vermilion and Cinnabar». In Artists’Pigments, том 2, стр. 159–182.

Gettens, Rutherford, and Elizabeth West Fitzhugh. «Malachite and Green Verditer». In Artists’Pigments, том 2, стр. 183–202.

Glaser, Hugo. Poison, the history, constitution, uses and abuses of poisonous substances. перевод Marguerite Wolff. London: Hutchinson, 1937.

Goethe, Johann Wolfgang von. Goethe» s Color Theory (Farbenlehre). Изд. Rupprecht Matthauei. New York: Van Nostrand Reinhold, 1971.

Grant, Colesworthey. Rural Life in Bengal, Illustrative of Anglo-Indian Suburban Life. Letters from an artist in India to his sisters in England. London: W Thacker & Co., 1859.

Gulik, Robert van. The Chinese Maze Murders. London: Michael Joseph, 1962.

Hackney, Stephen, Rica Jones and Joyce Townsend (редакторы). Paint and Purpose. London: Tate Gallery Publications, 1999.

Harley, R. D. Artists’Pigments 1600–1835, a study in English documentary sources. London: Butterworth Scientific, 1982.

Hayes, Colin. The Complete Guide to Painting and Drawing Techniques and Materials. London: Phaidon, 1979.

Hebborn, Eric. The Art Forger’s Handbook. London: Cassell, 1997.

Herbert, William. A History of the Species of Crocus. Stamford Street: William Clowes and Sons, 1847.

Hibi, Sadao. The Colors of Japan. Tokyo: Kodansha International, 2000.

Hirst, Michael, and Jill Dunkerton. Making and Meaning: The Young Michelangelo. London: National Gallery, 1994.

Hopkirk, Peter. Foreign Devils on the Silk Road, the search for the lost cities and treasures of Chinese Central Asia. London: John Murray, 1980.

Hulley, Charles E. Ainslie Roberts and the Dreamtime. Melbourne: J. M. Dent, 1988.

Hulley, Charles E. The Rainbow Serpent. Australia: New Holland Publishers, 1999.

Humphries, John. The Essential Saffron Companion. London: Grub Street, 1996.