Шрифт:
Интервал:
Закладка:
Appignanesi L. Losing the Dead. London: Chatto & Windus, 1999.
Assmann A. Der lange Schatten der Vergangenheit: Erinnerung-skultur und Geschichtspolitik. Miinchen: Beck, 2006 [Ассман А. Длинная тень прошлого: Мемориальная культура и историческая политика. М.: НЛО, 2014].
Assmann A. Erinnerungsraume: Formen und Wandlungen des kulturellen Gedachtnisses. Miinchen: Beck, 1999.
Assmann A. Reframing Memory: Between Individual and Collective Forms of Constructing the Past // Performing the Past: Memory, History, and Identity in Modern Europe / Ed. by K. Tilmans, F. van Vree, and J. Winter. Amsterdam: Amsterdam University Press, 2010. P. 35–50.
Assmann J. Das kulturelle Gedachtnis: Schrift, Erinnerung und politische Identitat in friiheren Hochkulturen. Miinchen: Beck, 1997 [Ассман Я. Культурная память: Письмо, память о прошлом и политическая идентичность в высоких культурах древности. М.: Языки славянской культуры, 2004].
The Auschwitz Album: A Book Based on an Album Discovered by a Concentration Camp Survivor, Lili Meier / Ed. by P. Hellman. New York: Random House, 1981.
Auschwitz: A History in Photographs / Ed. by T. Swiebicka. Oswiecim, Bloomington, Warsaw: Auschwitz-Birkenau State Museum and Indiana University Press, 1990.
Azoulay A. The Civil Contract of Photography / Transl. by R. Mazali, R. Danieli. New York: Zone Books, 2008.
Bachelard G. The Poetics of Space / Transl. by M. Jolas. New York: Orion Press, 1964 [Башляр Г. Поэтика пространства. М.: Ад Маргинем, 2014].
Baer E.R., BaerH. Postmemory Envy? // Women in German Yearbook: Feminist Studies in German Literature and Culture. 2003. Vol. 19. P. 75–98.
Baer U. Spectral Evidence: The Photography of Trauma. Cambridge, Mass.: MIT Press, 2002.
Baer U. To Give Memory a Place: Holocaust Photography and the Landscape Tradition // Representations. 2000. Vol. 69. P. 38–62.
Ball K. Unspeakable Differences, Unseen Pleasures: The Holocaust as an Object of Desire // Women in German Yearbook: Feminist Studies in German Literature and Culture. 2003. Vol. 19. P. 20–49.
Barnouw D. Germany 1945: Views of War and Violence. Bloomington: Indiana University Press, 1996.
Barthes R. La Chambre claire: Note sur la photographic. Paris: Gal-limard, 1980.
Barthes R. Camera Lucida: Reflections on Photography / Transl. by R. Howard. New York: Hill and Wang, 1981 [Барт P. Camera lucida: Комментарий к фотографии. M.: Ad Marginem, 1997].
Barthes R. Roland Barthes by Roland Barthes / Transl. by Richard Howard. Berkeley: University of California Press, 1977.
Baumel J.T. Double Jeopardy: Gender and the Holocaust. London: Vallentine Mitchell, 1998.
Benjamin W. A Short History of Photography / Transl. by P. Patton // Classic Essays on Photography / Ed. by A. Trachtenberg. New Haven: Yale University Press, 1980 [Беньямин В. Краткая история фотографии. М.: Ad Магginem, 2015].
Benjamin W. The Work of Art in the Age of Mechanical Reproduction // Illuminations / Transl. by H. Zohn, ed. by H. Arendt. New York: Harcourt, Brace & World, 1968. P. 217–251 [Беньямин В. Произведение искусства в эпоху его технической воспроизводимости // Он же. Учение о подобии. М.: РГГУ, 2012].
Bennett J. The Aesthetics of Sense-Memory: Theorising Trauma Through the Visual Arts // Trauma und Erinnerung/ Trauma and Memory: Cross-cultural Perspectives I Ed. by F. Kaltenbeck, P. WeibeL Vienna: Passagen, 2000. P. 81–96.
Bennett J. Empathic Vision: Affect, Trauma, and Contemporary Art. Palo Alto: Stanford University Press, 2005.
Berger A.L. Children of Job: American Second-Generation Witnesses to the Holocaust. Albany: State University of New York Press, 1997.
BerlantL. The Queen of America Goes to Washington City: Essays on Sex and Citizenship. Durham: Duke University Press, 1997.
Bernstein M.A. Foregone Conclusions: Against Apocalyptic History. Berkeley: University of California Press, 1994.
Bettelheim B. The Ignored Lesson of Anne Frank // Idem. Surviving and Other Essays. New York: Knopf, 1979.
Bird J., Isaak J. A., Lotringer S. Nancy Spero. London: Phaidon, 1996.
Bopp P. Fremde im Visier: Foto-Erinnerungen an den Zweiten Welt-krieg. Bielefeld: Kerber, 2010.
Bos P. Positionality and Postmemory in Scholarship on the Holocaust // Women in German Yearbook: Feminist Studies in German Literature and Culture. 2003. Vol. 19. P. 50–74.
Boym S. The Future of Nostalgia. New York: Basic Books, 2001 [Боши С. Будущее ностальгии. M.: Новое литературное обозрение, 2019].
Brett L. Too Many Men. New York: HarperCollins Perennial, 2002.
Brink C. “How to Bridge the Gap”: Uberlegungen zu einer fotographischen Sprache des Gedenkens // Die Sprache des Gedenkens: Zur Geschichte der Gedenkstatte Ravensbriick / Ed. by I. Eschebach, S. Jacobeit, S. Lanwerd. Berlin: Edition Hentrich, 1999.
Brink C. Ikonen der Vernichtung: Offentlicher Gebrauch von Fotografien aus nationalsozialis-tischen Konzentrationslagern nach 1945. Berlin: Akademie, 1998.
Browning C. Ordinary Men: Reserve Police Batallion 101 and the Final Solution in Poland. New York: HarperCollins, 1992.
Budick E.M. Blacks and Jews in Literary Conversation. New York: Cambridge University Press, 1998.
Bukiet M.J. After. New York: St. Martin’s, 1996.
Caplan J. “Indelible Memories”:
The Tattooed Body as Theatre of Memory // Performing the Past: Memory, History, and Identity in Modern Europe / Ed. by K. Tilmans, F. van Vree, J. Winter. Amsterdam: Amsterdam University Press, 2010. P. 119–146.
Caplan J. Written on the Body: The Tattoo in Europe an and American History. Princeton: Princeton University Press, 2000.
Carp M. Holocaust in Rumania: Facts and Documents on the Annihilation of Rumania’s Jews, 1940–1944. Budapest: Primor, 1994.
Caruth C. Unclaimed Experience: Trauma, Narrative and History. Baltimore: Johns Hopkins University Press, 1996.
Chddkovd L. The Terezin Ghetto. Prague: Nase vojsko, 1995.
Chambers R. Untimely Interventions: Aids Writing, Testimonial, and the Rhetoric of Haunting. Ann Arbor: University of Michigan Press, 2004.
Chicago J. Holocaust Project: From Darkness into Light. New York: Penguin, 1993.
Christian Boltanski: Lessons of Darkness / Ed. by L. Gumpert, MJ. Jacob. Chicago: Museum of Contemporary Art, 1988.
Connerton P. How Societies Remember. Cambridge: Cambridge University Press, 1989.
Crane S.A. Choosing Not to Look: Representation, Repatriation, and Holocaust Atrocity Photography// History and Theory. 2008. Vol. 47– P. 309–330.
Crary J. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, Mass.: MIT Press, 1990.
Culbertson R. Embodied Memory, Transcendence, and Telling: Recounting Trauma, Re-establishing the Self // New Literary History.