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Duménil, Gérard and Dominique Lévy. 2004. Capital Resurgent. Roots of the Neoliberal Revolution. Cambridge; London: Harvard University Press.

Duménil, Gérard and Dominique Lévy. 2011. The Crisis of Neoliberalism. Cambridge, MA; London: Harvard University Press.

Dupré, Sven, von Kerssenbrock-Krosigk, Dedo and Wismer, Beat. 2014. Art and Alchemy. The Mystery of Transformation. Hirmer.

Dumitrescu, Alexandra. 2007. ‘Interconnections in Blakean and Metamodern Space’. Double Dialogues 7. Accessed 28 October 2016. http://www.doubledialogues.com/article/interconnections-in-blakean-and-metamodern-space/

Duncan, Pansy. 2016. The Emotional Life of Postmodern Film: Affect Theory’s Other. New York; London: Routledge.

Dupré, Sven, Dedo von Kerssenbrock-Krosigk and Beat Wismer. 2014. Art and Alchemy: The Mystery of Transformation. Hirmer.

Dworkin, Graig and Kenneth Goldsmith. 2010. Against Expression: An Anthology of Conceptual Writing. Evanston, IL: Northwestern University Press.

Dyer, Geoff. 2009. Jeff in Venice, Death in Varanasi. Edinburgh: Canongate. Eagleton, Terry. 2008 [1983]. Literary Theory: An Introduction. Anniversary edition. London: Blackwell.

Eco, Umberto. 1993. ‘Postmodernism, Irony, the Enjoyable’. In Modernism/ Postmodernism, edited by Peter Brooker, 225–228. London; New York: Longman.

Edelkoort, Li and Philip Fimmano, curators. 2014. ‘For the Gathering: From Domestic Craft to Contemporary Process exhibition’. 28 May – 27 June 2014, Israel’s Design Museum Holon.

Egan, Jennifer. 2011 [2010]. A Visit from the Goon Squad. New York: Anchor.

Egenhofer, Sebastian. 2010. Produktionsдsthetik. Zьrich; Berlin: Diaphanes.

Eggers, Dave. 2001. A Heartbreaking Work of Staggering Genius: A Memoir Based on a True Story. New York: Vintage Books.

Egginton, William. 2013. How the World Became a Stage: Presence, Theatricality, and the Question of Modernity. Albany: State University of New York Press.

Elias, Amy J. 2012. ‘Postmodern Metaёction’. In The Cambridge Companion to American Fiction After 1945, edited by John N. Duvall, 15–29. Cambridge: Cambridge University Press.

Elkins, James. 2011. What Photography Is. New York: Routledge.

Elkins, James. 2013. ‘Chapter 25: What Is an Essay? Eleven Theories’. What Is Interesting Writing in Art History? Accessed 5 September 2016. http://305737.blogspot.fr/2013/02/chapter-25.html

Elkins, James and Harper Montgomery. 2013. Beyond the Aesthetic and the Anti-Aesthetic: The Stone Art Theory Institutes. Volume Four. Penn State University Press.

Eshelman, Raoul. 2008. Performatism, or the End of Postmodernism. Aurora, CO: The Davies Group Publishers.

Eshelman, Raoul. 2010. ‘Performatism in Contemporary Photograpy: Alina Kisina’. Artmargins. 29 May 2010. http://www.artmargins.com/index. php/2-articles/581-performatism-contemporary-photography-alina-kisi-na-article

Eshelman, Raoul. 2011. ‘Performatism, Dexter, and the Ethics of Perpetration’. Anthropoetics 17(1). http://www.anthropoetics.ucla.edu/ap1701/ 1701Eshelman.htm

Eugenides, Jeffrey. 2011. The Marriage Plot. New York: Farrar, Straus and Giroux.

Eve, Martin Paul. 2012. ‘Thomas Pynchon, David Foster Wallace and the Problems of “Metamodernism”: Post-Millennial Post-Postmodernism?’ C21 Literature: Journal of 21st Century Writings 1(1): 7–25.

Fairclough, Norman. 2000. New Labour, New Language? London: Routledge.

Falguiиres, Patricia. 2005. ‘Afterword’. In Ernst Kris, Le style rustique, translated by Christophe Jouanlanne & Ginette Morel, 241–245. Paris: Editions Macula.

Feigelfeld, Paul. 2015. ‘Media Archeology Out of Nature: An Interview with Jussi Parikka’. e-flux. Accessed 23 July 2016. http://www.e-яux.com/jour-nal/media-archaeology-out-of-nature-an-interview-with-jussi-parikka/

Fielding, Steven. 2014. A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollop to The Thick of It. London: Bloomsbury.

Filmer, Paul. 2003. ‘Structure of Feeling and Socio-Cultural Formation: The Signiёcance of Literature and Experience to Raymond William’s Sociology of Culture’. The British Journal of Sociology 54(2): 199–219.

Fish, William. 2016. ‘“Post-Truth” Politics and Illusory Democracy’. Psychotherapy and Politics International. doi: 10.1002/ppi.1387.

Fisher, Mark. 2009. Capitalist Realism? Is There No Alternative? Ripley: 0 Books.

Foster, Hal. 1996. The Return of the Real: The Avant-Garde at the End of the Century. Cambridge, MA: MIT Press.

Franklin, Bob. 1994. Packaging Politics. London: Arnold.

Franklin, Bob. 1998. Tough on Sound Bites, Tough on the Causes of Sound Bites. London: Catalyst Trust.

Franzen, Jonathan. 2001. The Corrections. New York: Farrar Straus and Giroux.

Franzen, Jonathan. 2003. ‘Mr. Difёcult’. In How to Be Alone: Essays, 238–269. New York: Picador.

Fraser, Andrea. 2012. ‘There’s No Place Like Home’. [Essay for the 2012 Whitney Biennial] Online: whitney.org/Exhibitions/2012Biennial/Andre-aFraser

Fried, Michael. 1967. ‘Art and Objecthood’. Artforum International 5: 12–23.

Fried, Michael. 2008. Why Photography Matters as Art as Never Before. Hartford: Yale University Press.

Friedlander, Lee. 2005. Friedlander. Text by Peter Galassi. Afterword by Richard Benson. New York: Museum of Modern Art.

Frye, Northrop. 1957. Anatomy of Criticism: Four Essays. Princeton, NJ: Princeton University Press.

Fukuyama, Francis. 1992. The End of History and the Last Man. London: Penguin.

Fukuyama, Francis. 2012. ‘The Future of History’. Foreign Affairs. 1 January 2012. Accessed 16 January 2013. https://www.foreignaffairs.com/arti-cles/2012-01-01/future-history

Funk, Wolfgang. 2015. The Literature of Reconstruction: Authentic Fiction in the New Millennium. London: Bloomsbury Academic.

Furlani, Andre. 2007. Guy Davenport: Postmodernism and After. Evanston, IL: Northwestern University Press.

Galgut, Damon. 2010. In a Strange Room. London: Atlantic Books.

Garber, Marjorie. 1996. ‘Postmodernism and the Possibilities of Biography’. In The Seductions of Biography, edited by Mary Rhiel and David Schoff, 175–77. New York; London: Routledge.

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