Alexander J. J. G. The Decorated Letter. NY.: Thames & Hudson Ltd., 1978.

Alexander J. J. G. Insular manuscripts 6th to 9th Centuries (A Survey of Manuscripts Illuminated in the British Isles. Vol. 1). London: Miller, 1978.

Avril F. A quand remontent les premiers ateliers laics a Paris? // Les Dossiers de l’ Archeologie. 1976. № 16. P. 36–44.

Beer E. Pariser Buchmalerei in der Zeit Ludwig des Heiligen und im letzten Viertel des 13 Jahrhundert // Zeitschrift fur Kunstgeschichte. 1981. H. 1. P. 62–91.

Bennet A. A late Thirteenth-century Psalter-Hours from London // England in the Thirteenth century: proceeding of the 1984 Hartaxton symposium. Woodbridge: Boydell, 1986. P. 15–30.

Branner R. Manuscript paining at Paris during the Reign of St. Louis. Los Angeles: University of California Press, 1977.

Brown M. The Lindisfarne Gospels: Society, Spirituality, and the Scribe. Toronto: University of Toronto Press, 2003.

Buchtal H. Miniature painting in the Latin Kingdom of Jerusalem. Oxford, 1957.

Cahn W. Romanesque manuscripts: the twelfth century. Vol. 1–2. Turnhout: Harvey Miller, 1996.

Calkins R. Illuminated books in the Middle Ages. Ithaca: Cornell University Press, 1983.

Carolus-Barré L. Le psautier de Peterborough et les enluminures profanes: nouvelles recherches // Bulletin de la Societé nationale des Antiaquaires de France, 1984. P. 185–193.

Degenhart В. Autonome Zeichnungen bei mittelalterlichen Künsten // Münchner Jahrbuch der bildenden Kunst. 3. Folge. 1950. Bd. 1. S. 93–158.

Deuschler F. Der Ingeborgpsalter. Berlin: Akademische Druck- u. Verlagsanstalt, 1965.

Dodwell C. R. The Canterbury School of Illumination 1066–1200. Cambridge: Cambridge University Press, 1954.

Dufrenne S. Tableaux synoptiques de 15 psautiers medievaux a illustrations integrales issues du texte. Paris: Association des amis des études archéologiques byzantines slaves, 1978.

Gutbrot J. Die Initiale in Handschriften des 8 bis 13 Jahrhunderts. Stuttgart: Kohlhammer, 1965.

Kauffmann C. M. Romanesque Manuscrits 1066–1190 (A Survey of Manuscripts Illuminated in the British Isles). Oxford: Harvey Miller, 1975.

Millar E. G. Fresh Materials for the Study of English Illumination // Studies in art history for B. Da Costa Greene. Princeton: Princeton University Press, 1954. P. 286–294.

Paecht O. Book Illumination in the Middle Ages. Oxford: Harvey Miller, 1986.

Porcher J. French miniatures from Illuminated Manuscripts. Collins, 1960.

Weitzmann K. Illustrations in Roll and Codex: A Study of the Origin and Method of Text Illustration. Princeton: Princeton University Press, 1947.

5. Общие работы по средневековой иконографии. Иконографические справочники

Grabar A. Les voies de la creation en iconographie chretienne. Paris: Flammarion, 1979.

Kirshbaum E., ed. Lexicon der Christlishen konographie. B. 1–8. Rom; Freiburg im Breisgau; Basel; Wien, 1968–1976.

Schiller G. Iconography of Christian Art. New York: New York Graphic Society, 1972.

6. Исследования, посвященные истории иллюминирования Библии в Средние века

Berger S. La bible Francaise au Moyen Age. Paris, 1884.

Cahn W. Romanesque Bible Illumination. Ithaca: Cornell University Press, 1982.

Gameson R. The early medieval Bible: its production, decoration, and use. Cambridge: Cambridge University Press, 1994.

Kauffmann C. M. Biblical Imagery in Medieval England 700–1500. Ghent: Brepols Publishers, 2003.

6a. Период раннего христианства

Al-Hamdani B. A. The iconographical sources for the Genesis frescoes once found in San Paolo f. l. m // Atti del IX Congresso Internazionale dell’ Archeologia Cristiana. Vol. 2. Vaticano, 1978. P. 11–35.

Dufrenne S. A propos de deux études recentes sur la Génèse de Vienne // Byzantion. 1972. Vol. XLII. P. 598–601.

Kessler H. L. Pictures as Scriptures in five-century church // Studia artium orientalis et occidentalis. Vol. II. 1985. P. 17–31.

Koetzsche-Breitenbruch L. Die neue Katakombe an der Via Latina in Rom. Untersuchungen zur Ikonographie der alttestamentlichen Wandmalereien. Aschendorff; Munster, 1979.

Levin I. the Quedlinburg Itala: the oldest illustrated Biblical manuscript. Leiden: Brill Academic Pub, 1985.

Lowden J. The Beginnings of Biblical Illustration // Imaging the early medieval Bible. Pennsylvania, 1999. P. 9–59.

Malbon E. S. The Iconography of the Sarcophagus of Junius Bassus. Princeton, NJ.: Princeton University Press, 1990.

Salzman M. R. On roman time. The codex Calendar of 354 and the rhytms of urban life in Late Antiquity. Berkeley; Los Angeles; Oxford: University of California Press, 1990.

Stern H. Quelques problemes d’iconographie paleochretienne et juive // Cahiers Archéologiques 1962. Vol. XII. P. 99–113.

Weitzmann K. Late antique and early Christian book illumination. Princeton: Princeton University Press, 1977.

Weitzmann K., Kessler H. The Frescoes of Dura Synagogue and Christian Art. Washington: Dumbarton Oaks Research Library and Collection, 1990.

Wickhof F. Die Wiener Genesis. Wien, 1895.

Wright D. H. The Roman Vergil and the origins of medieval book design. London: The British Library, 2001.

Wright D. H. When the Vatican Vergil was in Tours // Studien zur mittelalterichen Kunst 800–1250. Festschrift fur Florentine Mutherich zum 70 Geburstag. München: Prestel 1985. P. 53–66.

1) Генезис лорда Коттона

Tikkanen J. J. Die Genesismosaiken von S. Marco in Venedig und ihr Verhältniss zu den Miniaturen der Cottonbibel nebst einer Untersuchung über den Ursprung der mittelalterlichen Genesisdarstellung besonders in der byzantinischen und italienischen Kunst // Acta Societatis Scientorum Fennicae, 17. Helsingfors, 1889.

Weitzmann K. Observations on the cotton Genesis fragments // Late Classical and Mediaeval Studies in Honor of Albert Mathias Friend, Jr. Princeton, 1955. P. 112–131.

Weitzmann K., Kessler H. The Cotton Genesis (British Library Codex Cotton Otho B VI). Princeton: Princeton University Press, 1986.

2) Октатевхи

Успенский Ф. И. Октатевх Серальской библиотеки в Константинополе // Известия Русского археологического института в Константинополе. Т. XII/ 1907.