class="p1">Kirby M. Happenings: An Introduction // Happenings and Other Acts [1965] / ed. by Mariellen R. Sandford. London: Routledge, 1995.

Krauss R. Rauschenberg and the Materialized Image // Artforum. Vol. 13. N. 4. December 1974. P. 36–43.

Rauschenberg R. Untitled Statement // Miller D. C., ed. Sixteen Americans, New York: Museum of Modern Art, 1959; воспр.: Stiles K., Selz P., eds. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Berkeley: University of California Press, 1996.

Riesman D. (in collaboration with Reuel Denney and Nathan Glazer). The Lonely Crowd: A Study of the Changing American Character. New Haven: Yale University Press, 1950.

Rosenberg H. Art and Words // H. Rosenberg. The De-definition of Art: Action Art to Pop to Earthworks. New York: Horizon Press, 1972 [о Хелен Франкенталер].

Общие работы

Jones C. A. Machine in the Studio: Constructing the Postwar American Artist. Chicago: University of Chicago Press, 1996.

Orton F. Figuring Jasper Johns. Cambridge, MA: Harvard University Press, 1994.

Richardson B. Frank Stella: The Black Paintings / with assistance from Mary Martha Ward. Baltimore: Baltimore Museum of Art, 1976.

Stich S. Made in U.S.A.: An Americanization in Modern Art: the ‘50s and ‘60s. Berkeley: University of California Press, 1987.

Tomkins C. The Bride & the Bachelors; The Heretical Courtship in Modern Art. New York: Viking Press, 1965.

Глава 3

Цитированные источники

Дебор Г. Общество спектакля / Пер. С. Офертаса и М. Якубович. М.: Логос, 1999.

Уорхол Э. Философия Энди Уорхола (от А к Б и наоборот) / Пер. Г. Северской. М.: Ад Маргинем Пресс, 2014.

Boorstin D. J. The Image: A Guide to Pseudo-Events in America. New York: Harper & Row, 1961.

Coplans J., ed. Roy Lichtenstein. New York: Praeger, 1972.

Crow T. Saturday Disasters: Trace and Reference in Early Warhol // Guilbaut S., ed. Reconstructing Modernism: Art in New York, Paris, and Montreal 1945–1964. Cambridge, MA: MIT Press, 1990.

DeCarava R. The Sweet Flypaper of Life, photographs by Roy DeCarava; story by Langston Hughes. New York: Simon and Schuster, 1955.

Diane Arbus. New York: The Estate of Diane Arbus; Aperture Foundation, Inc., 1972.

Foster H. The Return of the Real: The Avant-Garde at the End of the Century. Cambridge, MA: MIT Press, 1996.

Frank R. The Americans / Introduced by Jack Kerouac. New York: Grove Press, 1959.

Oldenburg C. Store Days; Documents from The Store, 1961; Ray Gun Theater, 1962 / selected by Claes Oldenburg and Emmett Williams; photos by Robert R. McElroy. New York: Something Else Press, 1967.

Rosier M. In, around, and afterthoughts (on documentary photography) [1981]; воспр.: Bolton R., ed. The Contest of Meaning: Critical Histories of Photography. Cambridge, MA: MIT Press. P. 303–341.

Swenson G. R. What is Pop Art? Part II [1964]; воспр.: Madoff S. H., ed. Pop Art: A Critical History. Berkeley: University of California Press, 1997 [высказывания Тома Вессельмана].

Общие работы

Lippard L. R. Pop Art / with contributions by Lawrence Alloway, Nancy Marmer [and] Nicolas Calas. New York: Praeger, 1966.

Lobel M. Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art. New Haven: Yale University Press, 2002.

Open City: Street Photographs Since 1950 / with essays by Kerry Brougher and Russell Ferguson. Oxford: Museum of Modern Art Oxford; Ostfildern-Ruit: Hatje Cantz Verlag; New York: DAP / Distributed Art Publishers, 2001.

Szarkowski J. Photography Until Now. New York: Museum of Modern Art, distributed by Bulfinch Press, Boston, 1989.

Whiting C. A Taste for Pop: Pop Art, Gender, and Consumer Culture. Cambridge: Cambridge University Press, 1997.

Глава 4

Цитированные источники

Сонтаг С. Против интерпретации и другие эссе / Пер. Б. Дубина. М: Ад Маргинем Пресс, 2014.

Bourdon D. The Razed Sites of Carl Andre [1966]; воспр.: Battcock G., ed. Minimal Art: A Critical Anthology. New York: Dutton, 1968.

Brecht G. et. al. An Anthology of Chance Operations / ed. by La Monte Young. Bronx: L. Young & J. MacLow, 1963.

Buchloh B. H. D. Robert Watts: Animate Objects – Inanimate Subjects / Benjamin H. D and Judith F. Rodenbeck, Experiments in the Everyday: Allan Kaprow and Robert Watts – Events, Objects, Documents, New York: Miriam and Ira D. Wallach Art Gallery, Columbia University, 1999.

Chave A. Minimalism and the Rhetoric of Power // Arts Magazine, v 64, n 5 (January 1990): 44–63.

Flam J., ed. Robert Smithson: The Collected Writings. Berkeley: University of California Press, 1996.

Flavin D. …in daylight or cool white [1964]; цит. по: Meyer J., ed. Minimalism. London: Phaidon, 2000.

Fried M. Art and Objecthood: Essays and Reviews. Chicago: University of Chicago Press, 1998.

Higgins D. A Child’s History of Fluxus / Horizons: The Poetics and Theory of the Intermedia. Carbondale: Southern Illinois University Press, 1984.

Johns J. Writings, Sketchbook Notes, Interviews / ed. by Kirk Varnedoe; compiled by Christel Hollevoet. New York: Museum of Modern Art, distributed by Harry N. Abrams, 1996.

Judd D. Complete Writings 1959–1975: Gallery Reviews, Book Reviews, Articles, Letters to the Editor, Reports, Statements, Complaints. Halifax: Press of the Nova Scotia College of Art and Design; New York: New York University Press, 1975.

Maciunas G. Letter to Robert Watts [11 or 12 March, 1963]; воспр.: Hendricks J. Fluxus Codex. Detroit: The Gilbert and Lila Silverman Fluxus Collection; New York: Harry N. Abrams, 1988. P. 435.

Martin H. An Introduction to George Brecht’s Book of the Tumbler on Fire. Milano: Multhipla, 1978.

Morris R. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, MA: MIT Press; New York: Solomon R. Guggenheim Museum, 1993.

Munroe A., Hendricks J., eds. Yes Toko Ono. New York: Japan Society; Harry N. Abrams, 2000.

Plagens P. Sunshine Muse: Contemporary Art on the West Coast. New York: Praeger, 1974.

Secunda A. John Bernhardt, Charles Frazier, Edward Kienholz [interview] // Artforum. Vol. l. No. 5. October 1962. P. 30–34.

Seitz W. C. The Art of Assemblage. New York: Museum of Modern Art, distributed by Doubleday. Garden City, NY, 1961.

Solnit R. Secret Exhibition: Six California Artists of the Cold War Era. San Francisco: City Lights Books, 1990 [высказывания Брюса Коннера].

Общие работы

Crow T. The Rise of the Sixties: American and European Art in the Era of Dissent. New York: Harry N. Abrams, 1996.

Forty Years of California Assemblage. Los Angeles: Wight Art Gallery; University of California, 1989.

Goldstein A., Rorimer A. Reconsidering the Object of Art: 1965–1975. Los Angeles: Museum of Contemporary Art; Cambridge, MA: MIT Press, 1995.

Jenkins J., ed. In the Spirit of Fluxus, Minneapolis: Walker Art Center, 1993.

Marter J., ed. Off Limits: Rutgers University and the Avant-Garde, 1957–1963. Newark: Newark Museum; New Brunswick: