Meyer J. Minimalism: Art and Polemics in the Sixties. New Haven: Yale University Press, 2001.

Meyer J., ed. Minimalism, London: Phaidon, 2000.

Глава 5

Цитированные источники

Bear L. Gordon Matta-Clark [interview] // Avalanche. December 1974. P. 34–37.

Flam J., ed. Robert Smithson: The Collected Writings. Berkeley: University of California Press, 1996.

Gillette F., Schneider I. Wipe Cycle // TV as a Creative Medium. New York: Howard Wise Gallery, 1969.

Hobbs R. Robert Smithson: Sculpture. Ithaca: Cornell University Press, 1981.

Joan Jonas. Works 1968–1994. Amsterdam: Stedelijk Museum, 1994.

Krauss R. Richard Serra: Sculpture // Rosenstock L., ed. Richard Serra: Sculpture. New York: Museum of Modern Art, 1986.

Krauss R. Video: The Aesthetics of Narcissism // October. I. Spring 1976. P. 50–64.

McShine K. L. Information. New York: Museum of Modern Art, 1970.

Meyer U. Conceptual Art. New York: Dutton, 1972 [цитаты из Мела Бохнера и Роберта Барри].

Morris R. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, MA: MIT Press; New York: Solomon R. Guggenheim Museum, 1993.

Richard Serra // Avalanche. 2. Winter 1971 [перечень глаголов Серры и комментарий к нему Дэна Грэма].

Siegel J. An Interview with Hans Haacke // Arts Magazine. Vol. 45. No. 7. May 1971. P. 18–21.

Software. Information Technology: Its New Meaning for Art. New York: Jewish Museum, 1970.

Tucker M. PheNAUMANology // Artforum. Vol. 9. No. 4. December 1970. P. 38–43.

Общие работы

Краусс Р. Подлинность авангарда и другие модернистские мифы / Пер. А. Матвеевой, К. Кистяковской. М: Художественный журнал, 2003.

Davis D. Art and the Future: A History // Prophecy of the Collaboration Between Science, Technology, and Art. London: Thames & Hudson, 1973.

Hanhardt J. G., ed. Video Culture: A Critical Investigation. Layton: G. M. Smith; Peregrine Smith Books, in association with Visual Studies Workshop Press, 1986.

Kastner J., ed. Land and Environmental Art / with a survey by Brian Wallis. London: Phaidon, 1998.

Lee P. M. Object to be Destroyed: The Work of Gordon Matta-Clark. Cambridge, MA: MIT Press, 2000.

Pincus-Witten R. Postminimalism into Maximalism. American Art, 1966–1986. Ann Arbor: UMI Research Press, 1986.

Глава 6

Цитированные источники

Нохлин Л. Почему не было великих художниц / Пер. А. Матвеевой, Н. Решетовой. М.: Ад Маргинем Пресс, 2023.

Buchloh B. H. D. Conceptual Art 1962–1969; From the Aesthetic of Administration to the Critique of Institutions // October. No. 55. Winter 1990. P. 105–143.

Chavoya C. Ondine. Orphans of Modernism: The Performance Art of Asco // Fusco C., ed. Corpus Delecti: Performance Art of the Americas. London: Routledge, 2000.

Dechter J. (Re)Reading On Kawara: The Difference of Repetition // On Kawara. Whole and Parts, 1964–1995 / ed. by Xavier Douroux and Franck Gautherot. Dijon: Les presses du réel, 1996.

Guerrilla Art Action Group, GAAG // The Guerrilla Art Action Group, 1969–1976. New York: Printed Matter, 1978.

Gumpert L., Rifkin N. Persona. New York: New Museum of Contemporary Art, 1981 [цитата из Линн Хершман].

Jones A. Body Art: Performing the Subject. Minneapolis: University of Minnesota Press, 1998.

Jones K. David Hammons [interview, 1986]; цит. по: Ferguson R., Olander W., Tucker M., Fiss K., eds. Discourses: Conversations in Postmodern Art and Culture. New York: New Museum of Contemporary Art; Cambridge, MA: MIT Press, 1990.

Kosuth J. Art After Philosophy and After. Collected Writings 1966–1990 / ed. by Gabriele Guercio, with a foreword by Jean-Francois Lyotard. Cambridge, MA: MIT Press, 1991.

LeWitt S. Sentences on Conceptual Art [1969]; цит. по: Legg A., ed. Sol LeWitt. New York: Museum of Modern Art, 1978.

Nemser C. An Interview with Vito Acconci // Arts Magazine. Vol. 45. No. 5. March 1971. P. 20–23.

O’Dell K. Contract With the Skin: Masochism, Performance Art, and the 1970s. Minneapolis: University of Minnesota Press, 1998.

Piper A. Notes on the Mythic Being I–II [1974] // Piper A. Out of Order, Out of Sight. Vol. I: Selected Writings in Meta-Art 1968–1992. Cambridge, MA: MIT Press, 1996.

Rorimer A. New Art in the 60s and 70s: Redefining Reality. London: Thames & Hudson, 2001 [авторское описание Телепатического произведения Роберта Барри].

Wilke H. Intercourse With… [1976]; цит. по: Kochheiser T. H., ed. Hannah Wilke: A Retrospective. Columbia: University of Missouri Press, 1989.

Общие работы

Бухло Б. Неоавангард и культурная индустрия. Статьи о европейском и американском искусстве 1955–1975 годов [2000] / Пер. Д. Потемкина. М.: v-a-c press, 2016.

Alberro A., Stimson B., eds. Conceptual Art: A Critical Anthology. Cambridge, MA: MIT Press, 1999.

Broude N., Garrard M. D., eds. The Power of Feminist Art: The American Movement of the 1970s. History and Impact. New York: Harry N. Abrams, 1994.

Del Castillo G., McKenna R., McKenna T., Yarbro-Bejarano Y., eds. Chicano Art: Resistance and Affirmation, 1965–1985. Los Angeles: Wight Art Gallery, University of California, 1991.

Golden T., ed. Black Male: Representations of Masculinity in Contemporary American Art. New York: Harry N. Abrams; Whitney Museum of American Art, 1994.

Jones A., ed. Sexual Politics: Judy Chicago’s Dinner Party in Feminist Art History. Los Angeles: UCLA at the Armand Hammer Museum of Art and Cultural Center, in association with the University of California Press, Berkeley, 1996.

Patton S. F. African-American Art. Oxford: Oxford University Press, 1998.

Powell R. J. Black Art and Culture in the 20th Century. New York and London: Thames & Hudson, 1997.

Глава 7

Цитированные источники

Фуко М. Археология знания [1969] / Пер. М. Раковой, А. Серебрянниковой. СПб.: ИЦ «Гуманитарная академия»; Университетская книга, 2004.

Appadurai A. Introduction: commodities and the politics of value // Appadurai A., ed. The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Cambridge University Press, 1986.

Birnbaum D., et al. DougAitken. London: Phaidon, 2001.

Cotter H. Haim Steinbach: Shelf Life // Art in America. Vol. 76. No. 5. May 1988. P. 156–163, 201 [цитаты из Хаима Стайнбаха].

Group Material. On Democracy // Wallis B., ed. Democracy: A Project by Group Material. New York: Dia Art Foundation; Seattle: Bay Press, 1990.

Kelley M. In the Image of Man [1991]; цит. по: Welchman J. C., et al. Mike Kelley, London: Phaidon, 1999.

Owens C. Amplifications: Laurie Anderson // Art in America. Vol. 69. No. 3. March 1981. P. 120–123.

Rian J. Social Science Fiction: An Interview with Richard Prince // Art in America. Vol. 75. No. 3. March 1987. P. 86–94.

Rothschild D. Introjection: Tony Oursler. Mid-Career Survey, 1976–1999. Williamstown: Williams College Museum of Art, 1999.

Saltz J. Kara Walker: III-Will and Desire [interview] // Flash Art. Vol. 29. No. 191. November 1996. P. 82–86.

Sekula A. Fish Story. Rotterdam: Witte de With Center for Contemporary Art, 1995.

Siegel J. After Sherrie Levine [interview] //