Iseman, Ellen M. “Travels with my Aunt, Helen Frankenthaler, 1928–2011.” Connections (Spring 2012).

“Is There a New Academy?” ArtNews 58, no. 4 (June — August 1959).

Jachec, Nancy. The Philosophy and Politics of Abstract Expressionism, 1940–1960. Cambridge: Cambridge University Press, 2000.

Jackman, Jarrell C., and Carla M. Borden, eds. The Muses Flee Hitler: Cultural Transfer and Adaptation, 1930–1945. Washington, DC: Smithsonian Institution Press, 1983.

“Jackson Pollock: An Artists’ Symposium, Part I.” ArtNews 66, no. 2 (April 1967).

Jackson Pollock: Black and White. New York: Marlborough-Gerson Gallery Inc., March 1969.

Jacobs, Norman, ed. Culture for the Millions? Mass Media in Modern Society. Princeton, NJ: D. Van Nostrand Company, Inc., 1961.

Jane Freilicher: Painter Among the Poets. New York: Tibor de Nagy Gallery, 2013.

Janis, Sidney. Abstract and Surrealist Art in America. New York: Reynal & Hitchcock, 1944.

Jewell, Edward Alden. “‘The Problem of Seeing’; Vitally Important Matter of Approach — American Artist and His Public.” New York Times, August 10, 1941.

Joan Mitchell Paintings, 1950–1955. New York: Robert Miller Gallery, May 5 to June 5, 1998.

Johnson, Ellen H. American Artists on Art, from 1940 to 1980. New York: Icon Editions, Harper & Row, Publishers, 1982.

Johnson, Paul. A History of the Jews. New York: Harper & Row, Publishers, 1987.

Johnson, Steven, ed. The New York Schools of Music and the Visual Arts. New York: Routledge, 2002.

Jones, Caroline A. Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses. Chicago: The University of Chicago Press, 2005.

Jordan, Ken. “Interview with Barney Rosset: The Art of Publishing No. 2.” The Paris Review 145 (Winter 1997).

Jung, Carl Gustav. Modern Man in Search of a Soul. London: Routledge Classics, 2008.

Jung, Carl Gustav. The Undiscovered Self: The Dilemma of the Individual in Modern Society. New York: Signet Book, 2006.

Kaplan, Fred M. 1959: The Year Everything Changed. Hoboken, NJ: John Wiley & Sons, 2009.

Karmel, Pepe, ed. Jackson Pollock, Interviews, Articles, and Reviews. New York: The Museum of Modern Art, 1998.

Katz, Vincent, ed. Black Mountain College: Experiment in Art. Cambridge, MA: The MIT Press, 2013.

Kaufmann, Walter. “The Reception of Existentialism in the United States.” Salmagundi 10–11 (Fall 1969–Winter 1970).

Kazanjian, Dodie. “Keeper of the Flame.” Vogue (July 1991).

Kennedy, David. Birth Control in America: The Career of Margaret Sanger. New Haven, CT: Yale University Press, 1970.

Кьеркегор Серен, Страхи трепет. London: Penguin Books, 2005.

Kimmel, Michael. Manhood in America: A Cultural History. New York: The Free Press, 1997.

Kimmelman, Michael. “Review/Art; Explosive Painting: The Path to Pop.” New York Times, July 9, 1993.

Kingsley, April. The Turning Point: The Abstract Expressionists and the Transformation of American Art. New York: Simon & Schuster, 1992.

Kinsey, Alfred C., Clyde E. Martin, Wardell B. Pomeroy, and Paul H. Gebhard. Sexual Behavior in the Human Female. New York: Pocketbooks, 1970.

Kinsey, Alfred C., Wardell B. Pomeroy, and Clyde E. Martin. Sexual Behavior in the Human Male, Vol. 2. New York: Ishi Press, 2010.

Kleeblatt, Norman L., ed. Action/Abstraction: Pollock, De Kooning, and American Art, 1940–1976. The Jewish Museum, New York, May 4 — September 21, 2008. New Haven, CT: Yale University Press, 2008.

Kligman, Ruth. Love Affair: A Memoir of Jackson Pollock. New York: William Morrow & Company, Inc., 1974.

Kokkinen, Eila. “John Graham During the 1940s.” Arts Magazine 51, no. 3 (Summer 1976).

Kotz, Mary Lynn. Rauschenberg: Art and Life. New York: Harry N. Abrams, Inc., 1990.

Kramer, Hilton. “Clement Greenberg in the Forties.” The New Criterion (January 1987).

Kramer, Hilton. “Interview with Helen Frankenthaler.” Partisan Review 61, no. 2 (Spring 1994).

Kramer, Jane. Off Washington Square: A Reporter Looks at Greenwich Village, N.Y. New York: Duell, Sloan and Pearce, 1963.

Kuh, Katharine. The Artist’s Voice: Talks with Seventeen Modern Artists. New York: Da Capo Press, 2000.

KZ‐KAMPF-KUNST Boris Lurie: NO! ART. Cologne: NS-Dokumentationszentrum der Stadt Köln, Germany, August 27, 2014 — November 2, 2014.

Lach, William, ed. New York, New York: The City in Art and Literature. New York: The Metropolitan Museum of Art, Universe, 2006.

Lader, Melvin. “Howard Putzel: Proponent of Surrealism and Early Abstract Expressionism in America.” Arts Magazine 56 (March 1982).

La Moy, William T., and Joseph P. McCaffrey, eds. The Journals of Grace Hartigan, 1951–1955. Syracuse, NY: Syracuse University Press, 2009.

Landau, Ellen G. “Channeling Desire: Lee Krasner’s Collages of the Early 1950s.” Woman’s Art Journal 18, no. 2 (Autumn 1997 — Winter 1998).

Landau, Ellen G. Jackson Pollock. New York: Abradale Press, Harry N. Abrams, Inc., 1989.

Landau, Ellen G. “Krasner’s Past Continuous.” ArtNews 83, no. 2 (February 1984).

Landau, Ellen G. Lee Krasner: A Catalogue Raisonné. New York: Harry N. Abrams, Inc., 1995.

Landau, Ellen G. Lee Krasner, Collages, 1953–1955. New York: Jason McCoy Inc., 1995.

Landau, Ellen G. “Lee Krasner’s Early Career, Part One: Pushing in Different Directions,” Arts Magazine 56, no. 2 (October 1981).

Landau, Ellen G. “Lee Krasner’s Early Career, Part Two: The 1940s.” Arts Magazine 56, no. 3 (November 1981).

Landau, Ellen G., ed. Reading Abstract Expressionism: Context and Critique. New Haven, CT: Yale University Press, 2005.

Landau, Ellen G., Sandra Kraskin, Phyllis Braff, and Michael Zakian. Mercedes Matter. New York: MB Art Publishing, 2009.

“The Language of Art.” Bulletin of the Cleveland Museum of Art 1, no. 1 (November 9, 1964).

Larkin, Oliver W. Art and Life in America. New York: Holt, Rinehart and Winston, 1949.

Larsen, Susan C. “The American Abstract Artists: A Documentary History, 1936–1941.” Archives of American Art Journal 14, no. 1 (1974).